Painting the Dao

162 selected books and essays Hugh Moss, The Experience of Art: Twentieth Century Paintings from the Shuisongshi Shanfang Collection , 4 vols (Hong Kong: Umbrella, i 1983, ii 1985, iii 1990, iv 1992), including ‘A Unified Theory of Art’ in iii, Ho Huai-shuo’s Four Seasons Handscroll , 13–33 Hugh Moss, ‘An Artist’s Perspective: How Art Works’ Orientations , March 2013, 186–188 Olivia Wang, Let Ink Be My Immortality: Ink Paintings by the Master of the Water, Pine and Stone Retreat (Taipei: Ping Art Space, 2014) Essays: Olivia Wang, ‘Let Ink Be My Immortality’ Don J. Cohn, ‘Magic on Paper’ Hugh Moss, The Art of Understanding Art: A New Perspective (London: Profile Books, 2015) Transmutations: The Master of the Water, Pine and Stone Retreat (Wuhan: Yiyuan Art Space, 2016) Foreword: Xu Yongmin, Chancellor, Hubei Institute of Fine Art, ‘Garden at the Edge of the Universe’ Preface: Zeng Fangang, ‘Writing Before the Exhibition’ Essays: The Master of the Water, Pine and Stone Retreat, ‘Transmutations’ Huang Hsuan-lung, ‘An Expedition into the Water, Pine and Stone Retreat’ Gladys Chung, ‘Chinese Rock Paintings and the Master of the Water, Pine and Stone Retreat’ ‘Spirit of the Literati and Enjoying Stones: Shuisongshi shanfang zhuren, Hugh Moss’, in Literati Space (Beijing: Xilin yinshi chubanshe, 2016), 135–141 Zhang Yuchen, ‘Master of the Water, Pine and Stone Retreat brings new form of rock to Chinese literati painting’ Global Times (Wuhan), 6 November 2016 Rupert Nicholl, ‘Hugh Moss: Paintings by the Master of the Water, Pine and Stone Retreat’ Hong Kong Club News , December 2016 Hugh Moss, ‘A Unified Theory of Art: Making Sense of It All’ Still Point Arts Quarterly , Spring 2017 The Master of the Water, Pine and Stone Retreat, Beyond the Stage of Time , catalogue raisonné, 2 vols, Realised Realms and Staff Masters and Stone Fools (Hong Kong: Rasti Chinese Art, 2020)